She keeps talking as if nothing is happening while hands covered in latex gloves reshape her face to the extreme. Akane Kamio is inexperienced, appearing in front of the cameras for the first time. You can feel it in the way she sits, in the way she speaks to the camera — uncomfortable, defenseless, exposed. She speaks with hesitation, unsure even when saying her own name, unaware of her own measurements. And yet her interlocutor shows her no mercy, determined to bring her darkest secrets to light. While we question her, a masked man wearing surgical gloves sits behind her and begins molding her face as if it were a piece of clay. He presses her cheeks inward, stretches the corners of her mouth, holds her eyes wide open, and tugs at the tip of her nose. She allows it with shy laughter. “Don’t laugh, they’re fooling you!” she is told, as the masked figure firmly reshapes her face with his hands. With blue latex gloves, he stretches the tip of her nose until the tiny hairs are exposed. Her tangled hair falls across her face and, in her own words, like a trash bin, sheer lycra pantyhose are pulled over her head — stockings that make her features appear even more pronounced. With her face altered by the elastic fabric, she continues explaining her life as if nothing were happening, accustomed to being handled and set aside like garbage. Like a dirty, abandoned trash can. An intense face deformation session presented in extreme close-up. Wearing blue gloves, the manipulator stretches, compresses, and distorts every feature of Akane’s face: pressed cheeks, reshaped nose, twisted mouth, and a pantyhose sequence that completely transforms her expression. Absolute focus on facial manipulation and reactions in extreme close-up, with no distractions or filler. Active fetishes: face deformation, nose manipulation, mouth distortion. Hands pressing faces as if modeling clay, a girl who remains unfazed even while being shaped like an object. Tangled hair, altered features. What would you do if you had a girl like this in your hands? (201218_06)